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Who does not like animation? Unless the person possessing absolutely unimportant imagination, and such, you see, units on thousands. Otherwise, the beloved art of reincarnation on the screen called “cinema” would not flourish.Everyone knows that the Lumiere brothers gave the cinema to the world at the end of the 19th century. But few people suspect that the history of animation is rooted in the distant past. Just look at the images that adorn the walls and household items of ancient Egypt and Greece to notice: the figures, one after another, seemed to create the illusion of movement when looking at the picture.

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With the advent of paper and cardboard, human thought began to move faster. One scientist, an astronomer, spinning a coin on the table, noticed that the tails and the tails seemed to merge into a single image. He drew a bird on a cardboard circle, on the one hand, and a cage on the other, and began to twist it in different directions on the strings. So it turned out one of the famous toys.Who among us in childhood did not draw cartoons using a notebook? The same "nonsense" engaged adults of the 19th century, steadily moving towards the first cartoon in the world. Realizing that the retina can capture what was seen for a split second, the inventors began to create strobe lights, zootropes and other drum fixtures. But Emil Reynaud was the smarter of all, and as a result he received the title of "father of animation": he combined the drum, the mirror system and the projection lamp. Raynaud’s “Optical Theater” has long been a success with the public, especially since its pictures did not just move, but told a story.Emil Kohl went further, and began to do not just plot, and staged cartoons, like moving comics. To revive his characters, the artist manually produced thousands of drawings. But only the Walt Disney studio flooded the world’s movie screens with cartoon superheroes, the first of which was Mickey Mouse. Then Bugs Bunny followed, and then the pictures ceased to redraw entirely, leaving the background and making moving images on celluloid transparent paper. Thus, Tom and Jerry were able to quickly and massively conquer the whole world.
Today, with the advent of computer capabilities, brushes and paints are gathering dust in the corner, while patterned box office cartoons are being stamped with might and main. I want to believe that the new opportunities will still bring the animation to a decent level not only spectacular, but also semantic fullness, and for this new talented authors should appear.